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Slide Notes

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Cool Jazz

Published on Feb 03, 2016

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PRESENTATION OUTLINE

Cool Jazz

Photo by i k o

Cool Contrasted with Bop

  • Relaxed tempos
  • Subtle instrumental colors
  • Emotional detachment
  • Understated playing style

Cool Playing Style

  • Conservatory trained musicians
  • Orchestral conception
  • Expanded forms and solo space
  • Delicate attacks/little to no vibrato
  • Middle register playing

Cool Ensembles

  • Larger groups
  • Emphasis on tonal color
  • Harmonic possibilites
  • "Jazz chamber music"

New Instruments Featured

  • Bowed string instruments - cello/violin
  • Orchestral woodwinds - flute/oboe
  • Additional brass - flugelhorn/french horn
  • Darker/warmer sound
  • Tuba returns with melody

Third Stream music

  • Term coined by Gunther Schuller
  • Blending "classical" and jazz sounds/styles
  • George Gershwin was early figure
  • Cool jazz led this direction
  • Public reaction was mixed

Woody Herman

  • Cool style bandleader
  • Clarinetist
  • Featured 3 tenor and 1 bari sax
  • Called "Four Brothers" sound
  • Brought independent musicians into cohesive group

Gil Evans/Miles Davis

  • Subtle arranging of Evans suited Davis
  • Former members of Claude Thornhill Band
  • Effectively highlighted Davis's talents
  • Created "Birth of the Cool" sessions in 1949

Gerry Mulligan

  • Popularize the sound of bari sax
  • Played with Miles Davis, 
  • Claude Thornhill, and Stan Kenton

Lennie Tristano

  • Pianist
  • Explored compositional alternative to bop
  • Intellectual approach - influenced by Young/Wilson
  • Formed "New School of Music" - taught Dave
  • Brubeck, Art Pepper, Bill Evans

Bill Evans

  • Pianist whose style influenced future generation
  • Classically trained, explored third stream music
  • Collaborated with Miles Davis
  • Grammy award for "Conversations with Myself"
  • Double and triple tracked his solos to create depth

West Coast Jazz

  • Stylistically similar to cool
  • Different audience and setting - racial divide
  • Many players were former Kenton Band members
  • Lighthouse at Hermosa Beach was center locale
  • Intellectual, carefully orchestrated - Ellington legacy

West Coast Musicians

  • Stan Getz, Shorty Rogers, Shelly Manne
  • Dave Brubeck, Jimmy Giuffre
  • Gerry Mulligan crosses coasts
  • Art Pepper, Bud Shank, Bill Holman

Third Stream

  • Beginning in the 50s
  • Artists use classical forms (i.e. fugue, etc.)
  • Also playing precomposed classical piece in jazz style
  • Modern Jazz Quartet - pivotal group between cool
  • and third stream

The Brazilian Wave

  • Jazz musicians were influenced by lighter samba
  • Called "Bossa Nova"
  • Suited to West Coast style - Stan Getz and Charlie Byrd
  • First of many Latin styles that will become mainstream jazz 
  • Will blend with funky jazz, R&B, and soul

Latin Jazz Fusion artists

  • Horace Silver - "Song for My Father"
  • Mongo Santamaria - "Watermelon Man"
  • Chick Corea will take it to next generation