WAY OF SPEAKING USED IN A LOCAL AREA OR COUNTRY

CLEAR PRONUNCIATION OF WORDS

REMARK MADE TO THE AUDIENCE ONLY

THE INTERACTION BETWEEN THE AUDIENCE AND THE MOOD OF A DRAMA PERFORMANCE.

THE BODY OF PEOPLE INVITED OR OTHERWISE TO VIEW A DRAMA ACTIVITY, REHEARSAL OR EVENTT

THE AREA FOR THE AUDIENCE, USUALLY FILLED WITH SEATS

NON-ACTING AREA BEHIND THE STAGE

ADJUSTABLE METAL FLAPS ATTACHED TO THE FRONT OF FRESNAL LIGHTS

WHEN THE ACTING AREA IS UNLIT - CAN BE SUDDEN OR FADED

DECIDING WHEN AND WHERE ACTORS ARE ON STAGE

MESSAGES GIVEN BY THE POSITION OR MOVEMENT OF THE BODY

THE DIFFERENT NAMES FOR THE DIFFERENT AREAS OF THE STAGE

SPECIFIC PERSON IN A DRAMA

FULLY DEVELOPING A CHARACTER

GROUP OF ACTORS SPEAKING OR SINGING AS ONE - GREEK THEATRE ORIGINS

WHEN A GROUP SAYS A SPEECH TOGETHER (PART OF A CHORUS)

A DRAMA WHICH IS FUNNY/COMICAL

CLOTHES WORN BY ACTORS FOR THEIR CHARACTER

TO CHANGE FROM ONE LIGHTING/SOUND CUE TO ANOTHER

SIGNAL FOR ACTOR (OR SOUND/LIGHTING) TO BEGIN

BACK WALL OF THE STAGE WHICH CAN BE PAINTED OR LIT

A PIECE OF THEATRE PLANNED IN DETAIL AND THEN PERFORMED

WHAT A CHARACTER SAYS/TWO OR MORE CHARACTERS TALKING TO ONE ANOTHER

FRAME INTO WHICH A DOOR IS BUILT

ACTIONS/REMARKS UNDERSTOOD BY THE AUDIENCE BUT NOT THE CHARACTERS

FINAL REHEARSAL OF A PLAY WITH FULL COSTUMES/LIGHTING/SOUND

WHEN TWO ACTORS SPEAK IN CHARACTER IN DEPTH TO EACH OTHER

DELAYED SPEAKING IN CHORAL SPEECH TO CREATE ECHO EFFECT

STRESS ON A WORD OR PHRASE

STAGE WITH AUDIENCE ON ONE SIDE (THE END)

TO COME INTO THE ACTING SPACE (THE ACTOR COMES IN)

TO LEAVE THE ACTING SPACE (AN ACTOR LEAVES THE STAGE)

ACTORS USING THEIR FACES TO COMMUNICATE FEELINGS AND EMOTIONS

THE LIGHTING/SOUND IS FADED TO BLACKOUT QUICKLY

ACTING OUT AN EVENT FROM THE PAST (BEFORE THE PLOT OF THE PLAY)

ACTING OUT A FUTURE OR IMAGINED EVENT (AFTER THE PLOT OF A PLAY)

WOODEN/CANVAS COVERED FRAMES JOINED AND PAINTED TO CREATE SET

ABOVE THE STAGE WHERE SCENERY/ACTORS ARE FLOWN IN ON PULLEYS

LANTERN GIVING WIDE SPREAD OF LIGHT

NATURAL FLOWING SPEECH

KEY MOMENT/SCENE/CHARACTER/RELATIONSHIP OR EVENT IN DRAMA

POSITIONING LANTERNS TO GET THE DESIRED LIGHTING

POWERFUL PROFILE USED TO FOLLOW AREAS AROUND THE ACTING SPACE

THE OVERALL STYLE OF A PIECE OF DRAMA