PRESENTATION OUTLINE
Lecture Outline
- Background to the play
- Key Topics: Racial Identity and Rhetorical Authority
- Othello's Death
- Summary of Terms
Historical Background and Sources
Moor
1. Originally: a native or inhabitant of ancient Mauretania, a region of North Africa corresponding to parts of present-day Morocco and Algeria. Later usually: a member of a Muslim people of mixed Berber and Arab descent inhabiting north-western Africa (now mainly present-day Mauritania), who in the 8th cent. conquered Spain.
Untitled Slide
- Robert Greene’s Selimus, Emperor of the Turks (1594)
- William Percy's Mahomet and His Heaven (1601)
- Christopher Marlowe's Tamburlaine: Parts One and Two (1590).
- William Shakespeare's Titus Andronicus (1594)
Alterity:
The fact or state of being other or different; diversity, difference, otherness.
Otherness: the condition or quality of being different or “other”, in regards to the social and/or psychological ways in which one group excludes or marginalizes another group.
Food for thought
- How else might one be "othered"?
- Does anyone reflect on their identity, alterity, or otherness in the course of the play?
Decorum:That which is proper to the character, position, rank, or dignity of a person.
Let me go, sir, or I'll knock you o'er the mazzard. (2.3.149)
Reputation, reputation, reputation
And of the Cannibals that each other eat,
The Anthropophagi and men whose heads
Do grow beneath their shoulders. (1.3.144-46)
DUKE
I think this tale would win my daughter too (1.3.172).
Set you down this;
And say besides, that in Aleppo once,
Where a malignant and a turban'd Turk
Beat a Venetian and traduced the state,
I took by the throat the circumcised dog,
And smote him, thus. (5.2.349-54)
Look on the tragic loading of this bed;
This is thy work: the object poisons sight;
Let it be hid. (5.2.361-363)
Final Food
- Does this act in any way inform or alter the nature of Othello’s identity?
Summary of Key Terms
- Alterity
- Decorum
- Other / Otherness
- Rhetoric