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Revolutionizing The Trumpet: The Keyed Trumpet And Joseph Haydn's Trumpet Concerto In Eb

Published on Nov 19, 2015

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1.

INTRODUTION

  • 1975 Anton Weidinger- keyed trumpet
  • This new form of trumpet revolutionized trumpet playing and compositions
  • Paralleled the classical enlightenment
  • Haydn- composed concerto for A.W. to display new capabilities of the keyed trumpet
2.

NATURAL TRUMPET

  • Medieval and Baroque
  • NO VALVES!!
  • Clarino range-ex: Brandenburg concerto
  • Tone quality, scale, range and tuning
  • Softer sound?-2 times the length of modern trumpet
3.

KEYED TRUMPET

  • Covered holes in Eb
  • Demand by guilds, soloists and composers
  • Often hard to keep in tune-valved trumpets
  • Popularized by Anton Weidinger
4.

KEYED TRUMPET

  • Search for chromaticism
  • Thematic and lyrical possibilities
  • Trumpet guilds and natural trumpet image
  • Increase the availability of trumpets
  • Stopped horn popularity
5.

KEYED TRUMPET

  • Became known for only solos
  • 18th century music-not many lyrical/solo trumpet parts
  • The keyed trumpet's sound was thought to be inferior to the natural trumpet
  • Keyed trumpet had little success in the trumpet corps and many players were hostile to it
  • Replaced by valved trumpet
6.

ANTON WEIDINGER

  • 1766-1852- Haydn wrote concerto for him
  • Vienna-began playing field pieces and processional fanfares
  • Court trumpeter in Hoftrompetercorps and theatre orchestra
  • Imperial royal court trumpeter
  • Toured in public halls throughout Germany England and France
7.

ANTON WEIDINGER

  • Hummel trumpet concerto was also written for him
  • His tone was praised initially and later critics found faults with the keyed trumpet's tone
  • One of the few trumpet soloists of his time
  • Trumpet was not considered a solo instrument during A.w.'s life
8.

JOESPH HAYDN TRUMPET CONCERTO

  • For keyed trumpet in Eb and orchestra
  • Displays the lyrical and chromatic capabilities of the keyed trumpet
  • 1st motif- "warm up" motif- dominant 7th
  • First heard in exposition by the orchestra- M1-m13, 38, 47
  • Transforms into a march- first as something a natural trumpet could play and then w/chromatics
9.

HAYDN CONCERTO

  • 2nd motif- Bb to Cb to Bb
  • M 1- m115, M2- m31, M3-m283
  • 3rd motif- chromatic decent into cadence
  • Haydn was cautious of ending and starting with keyed notes
  • Played on an early version of the keyed trumpet

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