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What t.s. eliot knew about writing

Published on Nov 23, 2015

After reading of T.S. Eliot's "Four Quartets" for the enth time, I was struck by how two of its stanzas put writing in perfect perspective, one expressing the physical and psychological pressure that accompanies the act of writing, the other outlining a poetic rendering of what makes writing readable, accessible and credible.

PRESENTATION OUTLINE

What t.s. eliot knew about writing

What it feels like & how to do it right

"Poets are the unacknowledged legislators of the world."

Percy Bysshe Shelley
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They certainly are the unacknowledged teachers.

Who knows more about using words to move others.
Photo by Sharath.

They spend their  days searching their memories

and books for the perfect words to convey their thoughts.
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they understand the meaning of ...

  • Perfect words
  • Appropriate rhymes (if they use them)
  • Accurate rhythms
  • Sensible syntax
  • Emotional connection

And they practice

Practice, Practice!
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no writers spend more time composing so few lines

to convey an idea that seems so fleeting
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aS W.B. YEATS WROTE IN his "ADAMS cURSE":

"A line will take us hours maybe;
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Yet if it does not seem a moment's thought,

Our stiching and unstiching has been naught."
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Two-stanza writing lesson from four quartets"

  • Expresses the act of serious writing
  • Tells us how we should write 
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From part 1, "burnt norton"

[for me, the experience of trying to find the right words while writing]
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From part 1, "burnt norton"

  • Words strain,/Crack and sometimes break
  • under the burden/Under the tension, slip,
  • slide, perish,/Decay with imprecision, will not stay in place,/
  • Will not stay still. Shrieking voices/Scolding, mocking,
  • or merely chattering,/ Always assail them.
Photo by drubuntu

From "burnt norton"

  • Words strain,/Crack and sometimes break
  • under the burden/Under the tension, slip,
  • slide, perish,/Decay with imprecision, will not stay in place,/
  • Will not stay still. Shrieking voices/Scolding, mocking,
  • or merely chattering,/ Always assail them.
Photo by drubuntu

From Part IV – "Little Gidding"

[my interpretation: how to write clearly]

From "Little Gidding"

  • And every phrase/And sentence that is right (where every word is at home/
  • Taking its place to support the others,/The word neither diffident nor 
  • ostentatious,/An easy commerce of the old and new,/The common word exact
  • without vulgarity,/The formal word precise but not pedantic,/The complete
  • consort dancing together), every phrase and every sentence... 
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is an end and a beginning

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