(THIS IS A LONG SHOT)

TO SHOW CERTAIN PARTS OF THE PERSON/OBJECT IN DETAIL.

SAME AS A EXTREME CLOSE UP, JUST NOT AS CLOSE TO THE SUBJECT.

TO SHOW MOST OF A SHOT TO SHOW MOST THE DETAILS.

SHOWING THE SUBJECT AND THE BACKGROUND TO SHOW EXTRA DETAILS.

THIS IS USUALLY AT THE START OF A FILM, TO ESTABLISH WHERE THE STORY IS.

TO SUPERIMPOSE A IMAGE ONTO THE SCREEN FOR SPECIAL EFFECTS.

TO ESTABLISH SETTINGS, TIME, MOOD, OR BACKGROUNDS.

USED IN DIALOGUE TO BE IN THE CONVERSATION.

ANY SHOT WITH TWO PEOPLE. SAME IDEA APPLIES WITH A THREE SHOT

TO BE IN ANOTHER PERSONS VIEW.

LIKE A MONTAGE, USED TO ESTABLISH A SETTING, OR TIME.