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1.
UNIT TWO: ELEMENTS OF ACTING
CHAPTER 5: MOVEMENT
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Peter Alfred Hess
2.
CHEATING OUT
PLAYING TOWARD THE AUDIENCE WHILE CONVERSING W/ OTHER ON STAGE
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Ekhinos
3.
GESTURES
MOVEMENTS OF THE BODY, SUCH AS SHRUGGING THE SHOULDERS
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art makes me smile
4.
MUSCULAR MEMORY
HAVING AN ACTION APPEAR EFFORTLESS & NATURAL THROUGH REPETITION
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Official U.S. Navy Imagery
5.
OFFSTAGE
THE PART OF THE STAGE THAT THE AUDIENCE CANNOT SEE
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clickykbd
6.
ONSTAGE
THE PART OF THE STAGE THAT IS VISIBLE TO THE AUDIENCE
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peetje2
7.
SCENARIO
OUTLINE OF A PLAY W/ DETAILS ABOUT THE PLOT, MOVEMENT, AND GESTURES
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Mel B.
8.
STAGE BUSINESS
ANY SMALL ACTION THAT ACTORS PERFORM WITHOUT MAJOR MOVEMENT
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lanuiop
9.
UPSTAGING
DRAWING AUDIENCE ATTENTION TO YOURSELF OVER SOMEONE ELSE
10.
OBJECTIVES
To understand how to execute natural body movements onstage
To learn how to incorporate stage business into a scene
To understand how natural, believable movement enhances characterization
To plan and execute a scene incorporating stage movement
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AJC1
11.
PREVIEW: THE MAGIC OF MOVEMENT
The actor must present a world that the audience can't help but believe in.
No matter the environment presented onstage, it must appear real
The actor must appear to be a real person interacting with that environment
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Nathan Congleton
12.
MOVING ON STAGE: ENTERING
Be in position and ready to enter at the appropriate time
Enter w/ your head up, unless your character demands otherwise
Know the exact moment at that will be visible to the audience
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bolandrotor
13.
MOVING ON STAGE: WALKING
Your normal walking movement should be rhythmical and smooth.
As you walk, look ahead.
Certain characters may require you to walk slow, labored, jittery, etc.
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John-Morgan
14.
MOVING ON STAGE: STANDING
Keep your weight on the balls of your feet
Stay still! Unless you have a motivated movement to make
"Ootching" shows nervousness and inexperience; makes aud. uncomfortable
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kylemahaneyphotography
15.
MOVING ON STAGE: TURNING
Be mindful of the audience and turn toward them
"Cheat Out!"
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Ло
16.
MOVING ON STAGE: SITTING
Place yourself in a comfortable position
Make sure you are poised to get up
Don't slouch, unless your character calls for it
If you must back into a chair, touch it w/ back of leg and sit
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zilverbat.
17.
MOVING ON STAGE: RISING
Anticipate the move by slowly easing forward
Keep spine straight
Rise with your weight on one foot, then shift to the other
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Brizius
18.
MOVING ON STAGE: GESTURING
Gestures should be definite and clear
Halfhearted gestures show inexperience and lack of focus
Gestures include shrugging, pointing, raising eyebrows, etc.
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Shillika
19.
MOVING ON STAGE: EXITING
Stay in character until you are completely offstage
Exit with purpose
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lansakit
20.
MOVING ON STAGE
Practice these techniques until they appear effortless
Constant repetition of motion helps you develop muscular memory
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JcMaco
Michael Robertson
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