Bram Stoker's Dracula
Published on Nov 18, 2015
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Bram Stoker's Dracula
To further examine the use of setting in classic gothic fiction.
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In the gloom the courtyard looked of considerable size, and as several dark ways led from it under great round arches, it perhaps seemed bigger than it really is. I have not yet been able
to see it by daylight.
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His hand actually seemed like a steel vice that could have crushed mine if he had chosen.
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I could see even in the dim light that the stone was massively carved, but that the carving had been much worn by time and weather.
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Through these frowning walls and dark window openings it was not likely that my voice could penetrate.
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Then there was the sound of rattling chains and the clanking of massive bolts drawn back. A key was turned with the loud grating noise of long disuse...
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...an antique silver lamp, in which the flame burned without a chimney or globe of any kind, throwing long quivering shadows as it flickered in the draught of the open door.
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his hand grasped mine with a strength which made me wince, an effect which was not lessened by the fact that it seemed cold as ice, more like the hand of a dead than a living man.
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