Photography
Published on Nov 18, 2015
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PRESENTATION OUTLINE
RULE OF THIRDS
RULE OF THIRDS
CROPPING
YOU REMOVE PART OF THE IMAGE.
CROPPING
CONTRAST
the separation between the darkest and brightest areas of the image.
CONTRAST
LEADING LINES
are lines within an image that leads the eye to another point in the image
LEADING LINES
ANGLES
THE RELATIONSHIP BETWEEN THE CAMERA AND THE OBJECT BEING PHOTOGRAPHED
ANGLES
SYMMETRY
when an image can be split down the middle and the left and right sides of the photo are mirror images of each other.
SYMMETRY
RADIAL BALENCE
RADIAL BALENCE
ASYMMETRIC BALANCE
THAT THERE ARE NO MIRROR IMAGES IN A COMPOSITION.
ASYMMETRIC BALANCE
DRAMATIC LIGHTING
The lighting can focus on an individual while keeping the rest of the stage dark, steadily illuminate a scene
DRAMATIC LIGHTING
STOPPED MOTION
animation technique to make a physically manipulated object appear to move on its own.
STOPPED MOTION
IN MOTION
MOVING
IN MOTION
Photo by Sprengben [why not get a friend]
FOREGROUND FOCUS
PART OF A SCENE OR PICTURE THAT IS NEAREST TO AME IN FRONT OF THE VIEW
BACKGROUND FOCUS
FOCUSED ON THE OBJECTS IN THE BACKGROUND
BACKGROUND FOCUS
Photo by Thomas Leth-Olsen
MID-GROUND FOCUS
FOCUSED THINGS IN THE MIDDLE
MID GROUND
Photo by thisreidwrites
NATURAL FRAMING
ITEMS BEING PHOTOGRAPHED ARE USED AS INTERNAL FRAMES
NATURAL FRAMING
PATTERNS
A REPEATED OR DECRETIVE DESIGN
TEXTURES
APPEARANCE OF A SURFACE OR A SUBSTANCE
TEXTURES
Photo by Peggy2012CREATIVELENZ
INTERESTING SUBJECTS
SOMETHING THAT CATCHES YOUR ATTENTION
INTERESTING OVERALL PHOTOGRAPH
SOMETHING THAT EXPLAINS THE PICTURE
INTERESTING OVERALL
COMPLEMENTARY COLORS
COLORS DIRECTLY OPPOSITE EACH OTHE IM THE COLOR SPECTRUM
COMPLEMENTARY COLORS
Photo by bryanhutch
